|
Sign In to gain access to subscriptions and/or personal tools.
|
Of Garage Bands and Song-getting: The Musical Development of Young Rock Musicians
Patricia Shehan Campbell
University of Washington, Seattle, USA
This paper explores systems of music transmission, teaching and learning in evidence within the rehearsals of rock bands. Informants were nine musicians in two Seattle rock bands, all white males, ranging in age from fourteen to sixteen. Through interviews and observations of practice sessions, 'song-getting' and' skill-building' processes were noted. Attention was given to the young musicians' analytical listening behaviours, their evaluative remarks, and the social interactions of the groups' leaders as 'expert' musical models with other members of the group. Early home and school musical musical influences were examined, and ways in which the school music curriculum might be made more relevant to the needs and interests of young rock musicians are discussed.
Research Studies in Music Education, Vol. 4, No. 1,
12-20 (1995)
DOI: 10.1177/1321103X9500400103

CiteULike Complore Connotea Del.icio.us Digg Reddit Technorati Twitter What's this?
This article has been cited by other articles:

|
 |

|
 |
 
M. Montemayor
Flauto: an ethnographic study of a highly successful private studio
International Journal of Music Education,
November 1, 2008;
26(4):
286 - 301.
[Abstract]
[PDF]
|
 |
|

|
 |

|
 |
 
P. S. Campbell, C. Connell, and A. Beegle
Adolescents' Expressed Meanings of Music in and out of School
Journal of Research in Music Education,
October 1, 2007;
55(3):
220 - 236.
[Abstract]
[PDF]
|
 |
|

|
 |

|
 |
 
R. H. Woody
Popular Music in School: Remixing the Issues
Music Educators Journal,
March 1, 2007;
93(4):
32 - 37.
[PDF]
|
 |
|

|
 |

|
 |
 
C. McGillen and R. McMillan
Engaging With Adolescent Musicians: Lessons In Song Writing, Cooperation And The Power of Original Music
Research Studies in Music Education,
December 1, 2005;
25(1):
1 - 20.
[Abstract]
[PDF]
|
 |
|

|
 |

|
 |
 
R. E. Allsup
Mutual Learning and Democratic Action in Instrumental Music Education
Journal of Research in Music Education,
January 1, 2003;
51(1):
24 - 37.
[Abstract]
[PDF]
|
 |
|

|
 |

|
 |
 
K. L. Wemyss
From T.I.1 to Tasmania: Australian Indigenous Popular Music in the Curriculum
Research Studies in Music Education,
December 1, 1999;
13(1):
28 - 39.
[Abstract]
[PDF]
|
 |
|
|
|